“For Macras, Here/After is a downright concentrated work. Instead of fraying the scenes into a whirlwind of multiple parallel actions, like in “Megalopolis”, most of the images and situations are quite clearly structured.” www.tanznetz.de, December 2011
“Agoraphobia is a pretty healthy reaction to a pretty unhealthy environment, says Macras, and her actors prove this with charm and hefty exchanges.” Süddeutsche Zeitung, December 2011
„[Here/After] is one of the best and most prominent examples of the integration of contemporary art forms. Thus movement is combined with speech and song, not only to achieve visual pleasure for the recipient, but also to address the thoughts before emotions, and achieve mental pleasure.” Masrahna Egypt, May 2012